He worked his butt off for decades trying to make Hollywood happy with him so that he could raise money to make movies he wanted to make. John Carpenter has dealt with a lot of crap from Hollywood. does more with the plot points in far more interesting ways. There’s even a moment where Snake is put into an impossible to survive gladiatorial gauntlet that he ends up not only surviving but getting the audience to cheer him on.īut, much like how I prefer Only Angels Have Wings to Ceiling Zero, I feel like Escape from L.A. Snake Plissken is brought to infiltrate a city-sized prison of crazy sub-cultures in order to rescue a piece of technology held by a resident of the White House, setting up a conflict with the local warlord, meeting up with friends he lost along the way, and ultimately getting off the island to come face to face with the true nature of presidential leadership. Yes, Escape from L.A.is a beat for beat remake of Escape from New York. Well, I feel like the script for Escape from L.A. In my review for the first cinematic adventure of Snake Plissken I wrote that it was hampered by extreme budgetary constraints and some odd structural issues with its narrative, insisting that it really needed a script polish before shooting at the very least. I think this is one of John Carpenter’s best films, and I think it’s a large step up from Escape from New York. I unabashedly, unironically, and unashamedly love this movie. ![]() #2 in my ranking of John Carpenter’s films.
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